Nitrous turns up the power in an SD10 with a significant expansion in the amount of Dynamic EQ, Multiband Compressors and FX, plus the matrix increasing from a 16 x 12 to 16 x 16. Add to that DiGiTuBes, the ability to reorder Busses and Multichannel inputs and you’ve really boosted your system. Now with no fewer than 16 Dynamic EQ processors which are available simultaneously, further expanding the tremendous amount of sonically transparent signal processing available across the console.
The DiGiCo SD10B provides a potent blend of features, performance, flexibility and sonic clarity, at a price point that brings advanced digital technology to a wider broadcast market than ever before. Many of the SD10B’s technologies are also to be found in its larger sibling, the SD7B, instantly distinguishing it from other brands at this price point. It also features a host of broadcast-specific features that’s perfect for live to air broadcast.
When you’re working with large numbers of inputs and outputs, the SD10B will readily accommodate you.
Facilities include 96 channels with full processing, 12 of which are Flexi Channels that can be configured as mono or stereo, with full processing available in either mode, 48 assignable busses that offer multiple configurations, plus a stereo, LCR or 5.1 master buss and a complete 5.1 monitoring matrix with a 48 x 6 source to speaker selection.
For exemplary sound quality and transparency the SD10B works with the next generation of I/O, in the shape of the DiGiCo SD-Rack which delivers up to 192kHz high resolution analogue conversion. That’s complemented by the powerful option of a fully integrated Waves Sound Grid, for a wealth of world-class, ultra-low-latency broadcast-specific effects.
All of this comes in a form factor that is simple to work within the tightest OB truck or studio, which makes the SB10B system readily shippable as a fly pack.
